Gavin Friday and Friends at Carnegie Hall – Press Round Up
The reviews are pouring in. Here’s what’s being said in the press about ‘Gavin Friday and Friends’ at Carnegie Hall:
Jon Pareles of the New York Times:
“Mr. Friday has built a latter-day career as an eclectic, cabaret-tinged songwriter who hasn’t forgotten rock. The songs testify to romance and disillusion, while taking unexpected harmonic twists. They can be mournful and yearning, but more frequently turn bitterly cynical. They are haunted by death, wounded by love and often disgusted by daily life.”
Photo by tibetjb
“True to Mr. Friday’s repertory, the concert juxtaposed delicacy and brute force, intimacy and irony. It had tender moments, like Mr. Friday’s opening “Apologia”; duets with Antony Hegarty (of Antony and the Johnsons) on “He Got What He Wanted” and “Angel”; and Mr. Friday’s desolate “You Take Away the Sun,” with the shimmering backup of Bill Frisell on guitar, Hank Roberts on cello and Mr. Seezer on piano.”
Photo by tibetjb
“But the concert’s peak came early, with the reconstituted Virgin Prunes (Dik Evans, Guggi and Gavin Friday), including J. G. Thirwell on additional guitar and vocals, along with Mr. Evans and the singer Guggi from the old band. It bore down on two of its old songs — “Sweet Home Under White Clouds” and “Caucasian Walk” — as insistent, unstoppable drones and imprecations. Even at Carnegie Hall, sung behind music stands by men well past their teens, the menace came through.”
David Fricke of Rolling Stone:
“The silent star of the evening was composer Maurice Seezer, Friday’s longtime songwriting partner. He finally took a bow at the very end. But Friday, who always thought he belonged in Carnegie Hall, sang and acted out his lyrics as if he owned the place, swaggering across the boards, gesturing at the stars and jabbing his forefinger at the front rows with a panache that was part opera star, part Dublin punk. “Do we really need these pop stars?/There’s not enough of me!” he crowed in “Caruso,” a dynamic pairing with singer Eric Mingus. It was a song about the power and pleasures of transformation, sung by a man who took on every role in reach tonight — friend, lover, heathen, glitter boy, Irish poet — and was indisputably himself and in control in every one.”
Spin Magazine:
“Courtney Love, a longtime champion of Friday’s music, took the stage to read her description of seeing the Virgin Prunes live for the first time. Characteristically unpredictable and unapologetic, the Grunge goddess praised the band’s “sex, snarl, and raw power.” “When I saw U2 they gave me inspiration… but when I saw the Virgin Prunes they FUCKED. ME. UP.””
Spinner.com:
“The night began appropriately enough with Friday, a gifted singer in his own right with the Virgin Prunes and several critically-acclaimed solo albums, crooning the beautiful ‘Apologia.'”
IrishCentral.com:
“The delicacy of that duet [ Antony/Gavin – Got What He Wanted ] was instantly obliterated by a jump out of your seats sensational announcement. The Virgin Prunes had reformed to sing “Caucasian Walk,” a sonic wall of rock power that vividly underlines why this band were and are so important to the genesis of U2. This lot rock out like no Irish band ever has or will. The well-heeled audience was astounded, and you could tell that suited this band just fine.”
New York Press:
“Some of the songs were powerful and some painful.That’s what happens when you invite everyone to the party. Some will make a mess, but there were some damn good voices and that so-called backup band sure knew their shit. Maria McKee and Friday gave a heart-rending version of “The Ballad of Immoral Earnings” from The Threepenny Opera. Martha Wainwright’s “You Made Me The Thief of Your Heart” was gorgeous. […] Bono took his cues from Friday, but both were in fine form as co-hosts.”
“Someone to save us
Someone to follow
Someone to Shame us
Some Brave Apollo”
xxcl
Man is an Obstacle, SAD as the CLOWN,
Hold on to NO-TING, He WON’T LET YOU DOWN
People March together, some on thier OWN,
QUITE ALONE..
Some run, other’s crawl,
SOME SAT IN SILENCE,
They were just
‘old children’
Blown away…
By the MAJIK,
That’s All,
Afer all…
Seeing their brother
lay upon the ROX
in Dazzle and Delight
The Chameleleon,
Comedian
Christian Corinthian
and
Caricature
SHOOTING UP
Pie-in-the-sky
Dazzle and Delight…
As one of this generation’s bright stars that burned out too soon, stated a few years back,
“THE TRUE REVOLUTION IS IN MIND…
REMEMBER THAT, AND ALL ELSE SHINES”!!
Thanks again for the best ART dream of the year/decade.Still riding it!!
j-tts
Running out of space
in this limited place
but I have to say
without delay
once is not enough
that is way too tough
why only Carnegie Hall
gets to have a ball?
Surely other´s would be loyal
how about London – Albert Royal?
now wouldn´t that be something too
I´m sure there wouldn´t be a single “boo”
Dublin also must have somewhere classic
or is that just way too Jurassic?
Europe also wants it´s share
come on guys if you dare!
When preparations have been done already
things should go over smooth and steady
some other guests for a surprise
some local talent can tantalize
too good to be a “one-off”
make the boxer go “woff woff”
then maybe poster won´t be censored “at alls”
since Carnegie Hall didn´t have the balls!