The 2nd of three events in the Bio Rhythm exhibition currently running at the Science Gallery, Trinity College, Dublin featured Gavin and BP Fallon amongst a cast of music psychologists, therapists and fellow musicians to explore and discuss the relations we have with music. And specifically for the first half of the evening, that effect of music on our emotions. Is music driven by emotion or is it emotion that creates the music? Scientists and musicians discuss!
Gavin Friday on Yeats
with Martin Hayes and Dennis Cahill
Seen at the National Library, June 30, 2010
Demand for Gavin Friday, Martin Hayes and Dennis Cahill performing work by William Butler Yeats on June 30th was so great, the National Library decided to simulcast the event in the Library’s cafe. Gavin, approaching the material in his own inimitable way, read his personal selection of poems covering themes of romance, politics and celtic mysticism, using the full width of his voice to add light and shade to Yeats’ words, and body to punctuate his phrasing.
Hayes (fiddle) and Cahill (guitar) provided musical interludes and improvised on ‘The Stolen Child’, Yeats’ own tale of dazzle and delight. Although they had little rehearsal time and come from very different traditions, the artists managed to find common ground, and simply ‘clicked’. Hayes kept his eyes on Gavin throughout the performance following his lead while Cahill fixed on the fiddler. “I’m not from Sligo,” said Gavin, “I’m from Dublin,” and launched into a purposefully flat reading of ‘The Fiddler of Dooney’, accentuating his Northside Dublin inflection. It worked well with the ballad’s iambic trimeter: “I passed my brother and cousin / They read in their books of prayer / I read in my book of songs / I bought at the Sligo fair.” He ended with two encores picked on the spot and chose ‘Drinking Song’ because the title appealed to him and then closed with ‘Brown Penny’ (perhaps subconciously because it’s theme echoes his own classic ‘Tell Tale Heart’) the words of which sound particularly Fridayesque: “For he would be thinking of love / Till the stars had run away / And the shadows eaten the moon.”
Theo Dorgan, master of ceremonies, paraphrasing writer Colm Toibin in his closing words to the audience, said: “It wasn’t the guitar players and the fiddlers and the actors and the poets who bankrupted the country, who ran our country into the ground, but if we are to make it back, if we are to take it back… I don’t know about you, but my heart will be all that stronger, for tonight we’ve been in the presence of real art, real artists and it seems such a good thing that’s it’s in the heart of the National Library.” He then called for another round of applause. Later that evening, at the Merrion Hotel, the Library presented the musicians with 1st edition copies of Yeats’ books to thank them for their involvement in the Summer’s Wreath festival.
The poems
September, 1913
To a friend whose work has come to nothing
To Ireland in the coming times
He thinks of his past greatness when a part of the constellations of heaven
Drifting and Tilting review from The Guardian: “Gavin Friday tackles Jesse – a song Walker envisaged Elvis Presley singing to his stillborn twin brother – hamming it up magnificently.”"
Photo by www.eleventhvolume.com
Photo by www.eleventhvolume.com
Photo by www.eleventhvolume.com
Nigel Richards, Gavin Friday, Jarvis Cocker. Photo by cvodb
Gavin Friday and Jarvis Cocker. Photo by cvodb
?, Michael Henry, Owen Gilhooly, Nigel Richards, Gavin Friday, Jarvis Cocker, Damon Albarn. Photo by cvodb
Check out Michael Stipe’s new picture website, www.futurepicenter.com. Today and today only you can download a close up of Gavin – wearing Stipe’s specs – taken last week. There’s a new picture every day, once they are archived the high res version is no longer available, so get it while you can.