“The biggest passion and conviction possible”
Lust for Life Magazine, The Netherlands (February 20, 2012)

“Theatrical and Phenomenal”
Oor Magazine, The Netherlands (February 20, 2012)

“Soul searching observations on his personal holy trinity: love, sex and death.”
Musiczine.net, Belgium (February 18, 2012)

“Between the songs you felt that the emotional bond with his audience goes deeper than the average artist.”
De Morgen, Belgium (February 17, 2012)

“Friday remains as fearless and engaging a performer as ever.”
Irish Examiner, Ireland (December 1, 2011)

“Gavin has developed into an exceptional singer and he is also a brilliant performer with a deep understanding of the theatrical side of rock’n'roll. He is also a genuinely brave songwriter, who is unafraid to deal with difficult themes.”
Niall Stokes, Hot Press (November 30, 2011)

“A born performer who doesn’t shy away from pathos and theatricality.”
De Morgen, Belgium (November 11, 2011)

‘catholic’ album reviews

“If [ Gavin Friday ] once tartly likened the Catholic Mass to glam
rock, wit hits purple robes, smoke bombs, dry ice and death cult
trappings, catholic evokes the solemn grandeur of the high Latin
Mass.”
**** – Peter Murphy – Hot Press

“Friday pours his heart out on his fourth solo album, facing both his
personal demons and mortality head on. Weighty stuff, but
tungsten-strength tunes, a lush orchestral feel and Friday’s laconic
delivery make for a winning combination.”
**** – Paul Moody – Q Magazine

“… torchy, mirror-ball beauty. These are his silkiest arrangements
yet, but shadowy undercurrents ensure the tension never lets up.”
**** – Martin Aston – Mojo

“An epic reckoning of midlife loss, bruised romance and broken hallelujahs.”
**** Stephen Trousse – Uncut

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• Gavin Friday and Friends at Carnegie Hall – Press Round Up
• Messiaen Anniversary Concert reviews
• Laurent Perrier Champagne Culture Club

The reviews are pouring in. Here’s what’s being said in the press about ‘Gavin Friday and Friends’ at Carnegie Hall:

Jon Pareles of the New York Times:
“Mr. Friday has built a latter-day career as an eclectic, cabaret-tinged songwriter who hasn’t forgotten rock. The songs testify to romance and disillusion, while taking unexpected harmonic twists. They can be mournful and yearning, but more frequently turn bitterly cynical. They are haunted by death, wounded by love and often disgusted by daily life.”

Photo by tibetjb

“True to Mr. Friday’s repertory, the concert juxtaposed delicacy and brute force, intimacy and irony. It had tender moments, like Mr. Friday’s opening “Apologia”; duets with Antony Hegarty (of Antony and the Johnsons) on “He Got What He Wanted” and “Angel”; and Mr. Friday’s desolate “You Take Away the Sun,” with the shimmering backup of Bill Frisell on guitar, Hank Roberts on cello and Mr. Seezer on piano.”

Photo by tibetjb

“But the concert’s peak came early, with the reconstituted Virgin Prunes (Dik Evans, Guggi and Gavin Friday), including J. G. Thirwell on additional guitar and vocals, along with Mr. Evans and the singer Guggi from the old band. It bore down on two of its old songs — “Sweet Home Under White Clouds” and “Caucasian Walk” — as insistent, unstoppable drones and imprecations. Even at Carnegie Hall, sung behind music stands by men well past their teens, the menace came through.”

David Fricke of Rolling Stone:
“The silent star of the evening was composer Maurice Seezer, Friday’s longtime songwriting partner. He finally took a bow at the very end. But Friday, who always thought he belonged in Carnegie Hall, sang and acted out his lyrics as if he owned the place, swaggering across the boards, gesturing at the stars and jabbing his forefinger at the front rows with a panache that was part opera star, part Dublin punk. “Do we really need these pop stars?/There’s not enough of me!” he crowed in “Caruso,” a dynamic pairing with singer Eric Mingus. It was a song about the power and pleasures of transformation, sung by a man who took on every role in reach tonight — friend, lover, heathen, glitter boy, Irish poet — and was indisputably himself and in control in every one.”

Poster at Carnegie Hall

Spin Magazine:
“Courtney Love, a longtime champion of Friday’s music, took the stage to read her description of seeing the Virgin Prunes live for the first time. Characteristically unpredictable and unapologetic, the Grunge goddess praised the band’s “sex, snarl, and raw power.” “When I saw U2 they gave me inspiration… but when I saw the Virgin Prunes they FUCKED. ME. UP.”"

Spinner.com:
“The night began appropriately enough with Friday, a gifted singer in his own right with the Virgin Prunes and several critically-acclaimed solo albums, crooning the beautiful ‘Apologia.’”

IrishCentral.com:
“The delicacy of that duet [ Antony/Gavin - Got What He Wanted ] was instantly obliterated by a jump out of your seats sensational announcement. The Virgin Prunes had reformed to sing “Caucasian Walk,” a sonic wall of rock power that vividly underlines why this band were and are so important to the genesis of U2. This lot rock out like no Irish band ever has or will. The well-heeled audience was astounded, and you could tell that suited this band just fine.”

New York Press:
“Some of the songs were powerful and some painful.That’s what happens when you invite everyone to the party. Some will make a mess, but there were some damn good voices and that so-called backup band sure knew their shit. Maria McKee and Friday gave a heart-rending version of “The Ballad of Immoral Earnings” from The Threepenny Opera. Martha Wainwright’s “You Made Me The Thief of Your Heart” was gorgeous. [...] Bono took his cues from Friday, but both were in fine form as co-hosts.”

Related news

• Article: Prune power – Irish Times
• Courtney Love’s introduction to the Virgin Prunes
• Virgin Prunes – ‘When art and anarchy collide’

“The night before, more mysticism at a Messiaen Anniversary Concert. The French composer was honoured in a performance of his Quatuor pour la fin du temps, played with robust commitment by Finghin Collins (piano), Elizabeth Cooney (violin), Richard Harwood (cello) and Carol McGonnell (clarinet). And for those players, the Belfast-born composer Ian Wilson had written a “setting” of the Gabriel Garcia Márquez short story, The Handsomest Drowned Man in the World.
With Gavin Friday as narrator, it received its UK premiere in a packed Corn Exchange: sand-ripples of meandering lines and sea-sprays of song and tremolo, in a cunning score that never upstaged, but was as impassioned as the words themselves.”

Elsewhere, Gavin Burrows says on his blog: ‘Friday read ebulliently.’

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• Reminder: Brighton Festival
• Gavin Friday performs Ian Wilson’s ‘Handsomest Drowned Man’ in Paris
• The Handsomest Drowned Man in The World

“It says something about Gavin Friday that there was almost a 100pc acceptance to the invitation to hear him discuss the influences on his career last Wednesday evening. Following the performance guests enjoyed a glass, or two, of Laurent Perrier to cool them down on what turned out to be yet another wonderful evening.

Among the guests were John and Odette Rocha, Guggi, Simon Carmody, the amazing looking Melanie Morris, Antonia Campbell Hughes and Rory O’Keefe, lingerie diva Susan Hunter, Aisling Kilduff from the Design Center in Powerscourt, designer Michael Mortell, Brendan O’Connor and Maurice Seezer.

Gavin Friday, well known artist, composer and performer and VBF of Bono, gave an interesting insight into his career in a talk entitled I Didn’t Come Up The Liffey In A Bubble. Gavin took guests on a visual and vocal journey through the diverse stages of his life and the many people and movements that had influenced him.
Of course, most of the chat was about all the Cote and Costa set who have been away all summer and have missed what has turned out to be possibly the best summer in Ireland for years.

Visiting Ireland from Marbella for the first time for a stay at the K Club and the Merrion, Suzanne Jeffries, the doyenne of the top end of the property market on the Golden Mile, was blown away by the beauty of this country and, to tell the truth, a bit bemused by all the Irish down on the Costa. “Come back on a wet and windy weekend and all will become immediately clear,” we assured her.

John Moriarty, inspirational author and philosopher, was the first to feature in the Laurent Perrier Culture Clubs series. And the enthusiastic response from those who have attended will guarantee that this series will be repeated again next year.”

• Herald review (1)
• Herald review (2)
• Independent

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